Every time Michael Moore releases a new film, something inside of me lurches convulsively, and a crushed-out little voice cries, “Why aren’t you doing stuff like that?”
And I have no answer.
I’d certainly love to. Perhaps I fear that if I start shooting bare-knuckle exposes of my adopted country, then my adopted country might just get pissed off and throw me out. In the meantime, while I’m still working on the immigration small print, we have Moore and his team doing another outstanding job with Capitalism: A Love Story.